This is the first film in where a Drishtantoist story has been presented mimetically. Throughout the story, visualized with non-professional actors, we have tried to highlight clearly the daily state of fighting life of an ordinary Bangladeshi married woman. Here the woman expresses her strong inclination to be free from some unexpected difficulties like darkwardness, backwardness and religious domination etc.
Actually most of all women of Bangladesh are being presented as goods still now, are being dressed only for their husband by hook or by crook. In the film, the sense of freedom-loving from mentioned difficult bindings showing cycle has been exposed in Drishtantoist way.